Red Earth
Experimenting with different palettes to represent different times of day, and locales.
Shall not dissemble their surprise
On waking to find valor reign,
Even as on earth, in paradise;
And where they sought without the sword
Wide fields of asphodel fore’er,
To find that the utmost reward
Of daring should be still to dare.The light of heaven falls whole and white
And is not shattered into dyes,
The light forever is morning light;
The hills are verdured pasture-wise;
The angel hosts with freshness go,
And seek with laughter what to brave;–
And binding all is the hushed snow
Of the far-distant breaking wave.
And from a cliff-top is proclaimed
The gathering of the souls for birth,
The trial by existence named,
The obscuration upon earth.
And the slant spirits trooping by
In streams and cross- and counter-streams
Can but give ear to that sweet cry
For its suggestion of what dreams!
And the more loitering are turned
To view once more the sacrifice
Of those who for some good discerned
Will gladly give up paradise.
And a white shimmering concourse rolls
Toward the throne to witness there
The speeding of devoted souls
Which God makes his especial care.
And none are taken but who will,
Having first heard the life read out
That opens earthward, good and ill,
Beyond the shadow of a doubt;
And very beautifully God limns,
And tenderly, life’s little dream,
But naught extenuates or dims,
Setting the thing that is supreme.
Nor is there wanting in the press
Some spirit to stand simply forth,
Heroic in it nakedness,
Against the uttermost of earth.
The tale of earth’s unhonored things
Sounds nobler there than ‘neath the sun;
And the mind whirls and the heart sings,
And a shout greets the daring one.
But always God speaks at the end:
‘One thought in agony of strife
The bravest would have by for friend,
The memory that he chose the life;
But the pure fate to which you go
Admits no memory of choice,
Or the woe were not earthly woe
To which you give the assenting voice.’
And so the choice must be again,
But the last choice is still the same;
And the awe passes wonder then,
And a hush falls for all acclaim.
And God has taken a flower of gold
And broken it, and used therefrom
The mystic link to bind and hold
Spirit to matter till death come.
‘Tis of the essence of life here,
Though we choose greatly, still to lack
The lasting memory at all clear,
That life has for us on the wrack
Nothing but what we somehow chose;
Thus are we wholly stipped of pride
In the pain that has but one close,
Bearing it crushed and mystified.
The Trial By Existence
-Robert Frost
Out To Sea
This painting is now safely in the hands of someone who will take care of it. (G)
Happy Accident (rain in the desert)
Rain in the desert. A happy accident.
Chief Rival
This piece is no longer in existence, except as the under girding for another painting. I’m not even sure which one anymore. lol.
Rainy Day With Ballons and spiel
All of these striped paintings are landscapes. It’s as if one were viewing these vistas through a prism.
The sun peaks over a verdant pasture. Once you get a little closer you can see that the color lines, where masking tape met wet paint, can be interpreted as trees, little farm houses, and even grain silos. It’s raining in this bucolic scene, and balloons released by children abandoning a fair seem to laugh and cry a little like clowns as they go to meet porpoises somewhere on the ocean.
This painting sparked a whole new style for me. It was sort of the synthesis of two other ideas. The first was an idea for album art, in CD jacket format. All the pages of the CD jacket would be clear plastic. However, the lyrics of each song and the credits would have different translucent/tinted font text, such that when the book was closed either a pattern or some cool color combination would emerge as the front and rear cover designs. Anyway, maybe I’ll still do something stupid like that one of these days.
The other influencing idea was stripe painting. I’d heard that a middle and high school friend of mine, Caroline Wright, was currently doing this style of painting in Paris. I didn’t know what it was, but imagined it to be something like what I’m doing <above>. Then I googled it. When I discovered that stripe painting wasn’t really at all like what I thought it was going to be, I decided to do what I thought it was going to be.
Canon:
I tape off sections of canvas and paint them a solid color. Once I tape off a section of canvas it becomes my zen garden. Sometimes I paint the sections with straight up and down brush strokes. But sometimes I paint the sections with angled brush strokes; to suggest the influence of the wind on rain, for example. The brush strokes should reflect the character of the sky, as well as the earth.
Bob Ross forced to eat own heart out.
(…and if you tell ANYONE those clouds are there…!)